In the very near future, most of the world has succumbed to the virus of the living dead. After crashing off the coast of Africa, Lt. Brian Murphy battles for survival across the terrible terrain of Africa in search of a way to get back to his beloved family in the USA. Saved by local military man Daniel Dembele, who is also searching for his son, both men join forces, all the while battling against the ever-present threat of the living dead. -- (C) Official Site RIf You Like this movie you can streaming The Dead movie without downloading HERE
Movie Title : The Dead
Release Date : Oct 7, 2011 Limited
Mpaa Rating : R Genre Movie :Horror,Cult Movies Actors :Rob Freeman,Prince David Osei,David Dontoh,Glenn Salvage,Dan Morgan,Benjamin C. Akpa,Stephen Asare Amaning,Anthony Arinze,Elizabeth Akingbade,Kwesi Asmah
NewVisitor Ranting & Critics For The Dead
User Ranting Movie The Dead : 3.2User Percentage For The Dead : %
User Count Like for The Dead : 1,283
All Critics Ranting For The Dead : 5.7
All Critics Count For The Dead : 18
All Critics Percentage For The Dead : 72 %
If You Like this movie you can streaming The Dead movie without downloading HERE
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Review For Movie The Dead
A long, chemistry-free slog through the zombified countryside.Neil Genzlinger-New York Times
The Dead, with its vast, pitiless landscapes and moral seriousness, is Night of the Living Dead reimagined as a Sergio Leone western. It's a knockout.
Chuck Wilson-Village Voice
"The Dead," evocatively filmed in grainy 35mm, might carry the cinematic vibe of an old-school, flesh-eating adventure, but as it should be with stories like this, it's not a pretty picture.
-Los Angeles Times
Beyond its auspicious premise -- survivors fighting a zombie outbreak against the continent's scorching vistas -- there's little else to chew on here.
Tom Horgen-Minneapolis Star Tribune
A dread filled homage to the classic zombie pictures of the seventies and eighties...
Felix Vasquez Jr.-Cinema Crazed
The Dead reveres the films that came before it and wears its love for them on its sleeve.
Steve "Uncle Creepy" Barton-Dread Central
The Dead is not the great zombie film I was hoping for but it does deliver a more grown-up horror film that eschews gimmicky shakycam and CGI to try and tell a real story, and for that I am appreciative.
Beth Accomando-KPBS.org
The Ford brothers' take on this tradition offers a fair number of shocks and the arm-chomping that is de rigueur mortis for this genre. Yet it has things to say, mostly by implication, before a finish that took me by surprise.
Lawrence Toppman-Charlotte Observer
The ironies of the white man having to face potential extinction in a country infamous for racially tinged violence is too neat.
Chuck Bowen-Slant Magazine
You get used to the sight of the slow-moving undead swaying against the film's natural landscapes like half-imagined phantoms, and somehow that makes them more unnerving.
Bryant Frazer-Bryant Frazer's Deep Focus
The film provides a whole new way of looking at the same old dead things. Eat up.
Marc Savlov-Austin Chronicle
With its desiccated plains and rotting crops, the Africa depicted in the Ford Brothers' zombie flick proves an evocative setting.
Matt Glasby-Total Film
The film's rough edges contribute to the film's disconcerting rawness.
Philip French-Observer [UK]
More marks for effort than achievement are notched up here.
Tim Robey-Daily Telegraph
Film-makers Howard J Ford and his brother Jonathan have shot the scenery well, but since the undead are everywhere the quest for safety becomes repetitive.
Derek Malcolm-This is London
The low-budget zombie movie market may have long since reached saturation point, but this one displays some talent, style, intelligence and imagination, proving that in the right hands there's still plenty of life in the genre yet.
Phelim O'Neill-Guardian [UK]
The directors do a very fine job of keeping things creepy and consistently unsettling while trying to make their larger points.
Scott Weinberg-FEARnet
The Ford brothers' zombie apocalypse is the better for being told so straight - although its adherence to Romero's shuffling conventions does not extend to the film offering any coherent contemporary social commentary.
Anton Bitel-Little White Lies
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